This post was originally published at Novelicious.com and is now at WritingTipsOasis.com. WritingTipsOasis.com acquired Novelicious.com in June 2022.
Reviewed by Zarina de Ruiter
Jeevan is watching a performance of King Lear at the Elgin Theatre in Toronto when the lead actor, Arthur Leander, collapses on stage. While Arthur's untimely departure is not directly related to the Georgia Flu that will soon spread across the globe and leave devastation in its wake, it does symbolise the beginning of a global collapse.
Not to mention that the characters the reader becomes acquainted with in the decades that follow are in a way connected to Arthur. There is Jeevan, the man who tries to revive Arthur when he collapses and knows the actor through his previous jobs as a paparazzo and entertainment journalist; a young actress by the name of Kirsten, who was on stage during the King Lear performance; Arthur's ex-wife Miranda, who is stuck half-way across the globe when disaster strikes; and the mysterious prophet.
I am not entirely sure where to start with my review, because this book was all sorts of amazing and I fear that anything I say will result in gibberish gushing rather than doing the novel justice and convey just how good it was. It was a thrilling and surprisingly enchanting story, which pulled me in so intensely that I simultaneously couldn't stop reading and didn't want to finish it, as anything I would read after would just pale in comparison.
As with many post-apocalyptic stories, there was the disturbing message of what the world is diminished to when the majority of the population is wiped out in the blink of an eye – leaving those that remain with a form of liberation that is no longer hampered by the status quo. While humanity showed its most horrifying side in the initial aftermath, eventually the need to return to some form of civilisation emerged as an elementary part of survival. That doesn't mean that everyone has the greater good in mind though, which became particularly evident when the sinister prophet made an appearance.While this was certainly not the first novel entailing the aftermath of a pandemic and the devastating effects on civilisation, to me Station Eleven felt refreshing because of the clever and almost magical way author Emily St. John Mandel connected the years before and after the collapse as well as her very different main characters. And with fascinating concepts such as The Traveling Symphony and The Museum of Civilization, we could almost have been transported to a fantastical world, rather than 20 years down the line from where we are now.
What also made this such a unique novel was the way the Shakespearean works run like a thread throughout. From the very first chapter where the reader enters the world of Station Eleven during a performance of King Lear, to the Traveling Symphony bringing the Bard's legendary words to the small gatherings of people scattered across their route in the decades that follow. The theatrically added an otherworldly quality to the already beautiful and almost poetic language used within the novel.
Both highly imaginative and achingly realistic, I was drawn into the world of Station Eleven from the very first page. The novel was completely enthralling and unputdownable, making it without a doubt the best book I've read this year.
10/10